Listening intentions part 1: It is all about attitude

In order to talk about music you need words to name the different parts of it. In traditional music there is a wealth of terminology for elements such as pitch, rhythm, timbre, dynamics and tone which can all be used in order to put our experience of the music into words. But what happens when you are suddenly given a new set of toys which gives you the possibility to create sounds that does not fit into the previous models of what we consider “music”? What terms do you use for the sound of ice being crunched under a boot? Or a keychain hitting a sement floor? Or the drumming of train wheels hitting iron rails?

Continue reading