Tag: music

The effortlessness of the expert

It takes a lot of effort to make something look effortless – Steven Sondheim When we witness an expert performer in music or in sport the word “effortless” often springs to mind. However, most people are (hopefully) aware of the amount of work actually needed to reach this level of mastery. Therefor “effort-less” can´t necessarily mean that something is “without effort”.…

Where does the music end and the listenig begin?

Musical jiggsaw-puzzles at Kamfest 2016 Our perception of reality is a highly individual matter: every day our mind is occupied by trying to create coherence between an unimaginable amount of fragments brought to us through our different senses. It is a bit like a game: you’re given certain pieces but how you combine them is…

The inner and outer experiences of music

kamfestHaving  just returned from the annual Trondheim chamber music festival KAMFEST I had some thoughts in my head, spurred by the many musical experiences there. KAMFEST has always been one of my favourite festivals in Norway as it always seems to somehow be able to think outside of the Box when it comes to chamber music and concert programming in general. A great mix of Expressions, genres, venues and, most often, superb musicians. This year’s composer in residence was the multi-faceted composer /pianist/poet and artist Lera Auerbach who were participating in all of her artistic roles. The program varied from the music-theatre-opera The Blind, chamber music works where the composer performed herself, poetry recital and a silent auction of some of her pictures.

This combined presentation was a rare experience and I wondered in advance how Auerbach would succeed in filling all of these roles. Through history there have been many examples of great composers who also have ventured into the field of performer; a double role which was much more common in older times, from the improvisation-competitions of Mozart´s time to the semi rock star-hysteria surrounding virtuosi composer-performers like Chopin and Liszt. But that said there are considerable differences between the demands to performers of today as to that of earlier times, both in instrumental changes and technical demands.

Some of the things I experienced with Auerbach concerns the theme of listening in a very profound way, more specifically: it concerns something we might call outer and inner listening.

Accoustic overload – the soundscape of our time

The word “Soundscape” is a term coined by the composer and writer R. Murray Schafer which means our ever-present sonic environment. Through history this soundscape has continued to increase in complexity as the world of the post-industrial revolution continues to evolve. As our awareness concerning the dangers of toxic waste and environmental pollution grows, there…