Proprioception – the physiological reality behind a “natural” technique

It is said that a concert pianist has fine motor-control skills with a degree of coordination which exceeds that of a brain surgeon during operations. To perform of piece of music which demands that each finger, each joint of that finger and each muscle in the hand, arm and body cooperates and contributes to the end result and that this end result is experienced as harmoniously, melodically and rhythmically complete is really somewhat of a physiological and neurological miracle.

Hånd på klaviatur

Perhaps the reason why most of us still don’t reflect on this when great art is presented to us is because one of the hallmarks of great art is that it is perceived as “effortless”. We sense the coordination, the seamless conversations within the body of the practitioner, how everything just seems to “flow”. Yet a part of our mind is aware of the enormous amount of coordination happening and realises that there is no way we can consciously control all of these minuite operations. So what is going on? Continue reading